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Qué (quién) es painting$57250$ - definición
STYLE OF PAINTING
Splatter painting; Gestural abstraction; Action Painting; Direct painting; Gestural painting; Action+Painting; Action-painting
Word painting
MUSICAL TECHNIQUE OF WRITING MUSIC THAT REFLECTS THE LITERAL MEANING OF A SONG
Tone painting; Word-painting; Madrigalism; Text-painting; Text painting; Wordpainting
Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music.
Rajput painting
![Kota]], c. 1660. Private collection.](https://commons.wikimedia.org/wiki/Special:FilePath/1 Attributed to Hada Master. Rao Jagat Singh of Kota at ease in a garden, Kotah, 1660, Private Collection.jpg?width=200 "Kota]], c. 1660. Private collection.")
![Mewar]], 1605. [[Los Angeles County Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/1 Nasiruddin. Malashri ragini. Page from Chawand Ragamala series. Chawand, Mewar, Rajasthan. dated 1605(inscribed, Painted Nasiruddin at Chawand in 1605). LACMA.jpg?width=200 "Mewar]], 1605. [[Los Angeles County Museum of Art]].")
![Kishangarh]], c. 1750. National Museum, New Delhi.](https://commons.wikimedia.org/wiki/Special:FilePath/5 Radha-and-Krishna-in-the-Boat-of-Love.jpg?width=200 "Kishangarh]], c. 1750. National Museum, New Delhi.")
![''A King converses'', Folio from the ''[[Kalpa Sūtra]]'' and ''[[Kalakacharya Katha]]''. [[Gujarat]], 1411. [[Arthur M. Sackler Gallery]].](https://commons.wikimedia.org/wiki/Special:FilePath/A King converses, Folio from the Kalpa Sutra and Kalacharyakatha.jpg?width=200 "''A King converses'', Folio from the ''[[Kalpa Sūtra]]'' and ''[[Kalakacharya Katha]]''. [[Gujarat]], 1411. [[Arthur M. Sackler Gallery]].")
![''Umed Singh of Bundi with his Sons''. Bundi, c. 1765. [[Yale University Art Gallery]].](https://commons.wikimedia.org/wiki/Special:FilePath/Anonymous - Umed Singh of Bundi with his Son - 2001.138.17 - Yale University Art Gallery.jpg?width=200 "''Umed Singh of Bundi with his Sons''. Bundi, c. 1765. [[Yale University Art Gallery]].")
![Kangra]], c. 1780–1790. [[Philadelphia Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Attributed to Khushala, Indian, active late 18th century - The Gods Sing and Dance for Shiva and Parvati - Google Art Project.jpg?width=200 "Kangra]], c. 1780–1790. [[Philadelphia Museum of Art]].")
![''The accession of [[Shah Jahan]]'' by [[Bichitr]], part of the Windsor [[Padshahnama]]. Circa 1628. [[Royal Collection]].](https://commons.wikimedia.org/wiki/Special:FilePath/Bichitr - Padshahnama plate 10 - Shah-Jahan receives his three eldest sons and Asaf Khan during his accession ... - Google Art Project.jpg?width=200 "''The accession of [[Shah Jahan]]'' by [[Bichitr]], part of the Windsor [[Padshahnama]]. Circa 1628. [[Royal Collection]].")
![''Brijnathji and Durjan Sal sight a pride of lions'', attributed to anonymous painter assisted by [[Shaykh Taju]]. Kota, 1730–1735. [[Rao Madho Singh Trust Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Brijnathji and Durjan Sal sight a pride of lions.jpg?width=200 "''Brijnathji and Durjan Sal sight a pride of lions'', attributed to anonymous painter assisted by [[Shaykh Taju]]. Kota, 1730–1735. [[Rao Madho Singh Trust Museum]].")
![''Chanda talking to a Friend'', Folio from a [[Chandayana]]. Probably Delhi – Jaunpur belt, c. 1525–1575. [[Chhatrapati Shivaji Maharaj Vastu Sangrahalaya]].](https://commons.wikimedia.org/wiki/Special:FilePath/Chanda talking to a Friend (cr).jpg?width=200 "''Chanda talking to a Friend'', Folio from a [[Chandayana]]. Probably Delhi – Jaunpur belt, c. 1525–1575. [[Chhatrapati Shivaji Maharaj Vastu Sangrahalaya]].")
![Guler]], c. 1730. Los Angeles County Museum of Art.](https://commons.wikimedia.org/wiki/Special:FilePath/Dancing Villagers LACMA M.77.19.24.jpg?width=200 "Guler]], c. 1730. Los Angeles County Museum of Art.")
![Nurpur]], c. 1660–70. [[San Diego Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Delighted at the Prospect- the Nayika Mudita.jpg?width=200 "Nurpur]], c. 1660–70. [[San Diego Museum of Art]].")
![p=481}} [[Williams College Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Gauri Ragini, A Girl with Peacocks, ca. 1660 Sirohi, Rajasthan, British Museum, London.jpg?width=200 "p=481}} [[Williams College Museum of Art]].")
![Kangra]], c. 1800–1815. [[Government Museum and Art Gallery, Chandigarh]].](https://commons.wikimedia.org/wiki/Special:FilePath/Indra consulting with his Preceptor in the Assembly of the Gods.jpg?width=200 "Kangra]], c. 1800–1815. [[Government Museum and Art Gallery, Chandigarh]].")
![Mandi]], c. 1650. Private collection.](https://commons.wikimedia.org/wiki/Special:FilePath/King Kamsa in His Inner Apartment, folio from a Bhagavata Purana.jpg?width=200 "Mandi]], c. 1650. Private collection.")
![''Krishna Fluting in the Forest''. [[Jaipur]], c. 1720–1740. [[Harvard Art Museums]].](https://commons.wikimedia.org/wiki/Special:FilePath/Krishna Fluting in the Forest, c. 1720-1740 Jaipur, Harvard University Art Museum.jpg?width=200 "''Krishna Fluting in the Forest''. [[Jaipur]], c. 1720–1740. [[Harvard Art Museums]].")
![''[[Krishna]] defeats [[Trinavarta]]'', folio from the "Dispersed" [[Bhagavata Purana]]. North India, c. 1520. [[Freer Gallery of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Krishna defeats Trinavarta.jpg?width=200 "''[[Krishna]] defeats [[Trinavarta]]'', folio from the \"Dispersed\" [[Bhagavata Purana]]. North India, c. 1520. [[Freer Gallery of Art]].")
![Bikaner]], 1675. [[Kronos Collections]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ladies of the zenana on a roof terrace.jpg?width=200 "Bikaner]], 1675. [[Kronos Collections]].")
![''Head of Krishna: cartoon for a mural of the Raslila'' by [[Sahibram]]. Jaipur, c. 1800. Metropolitan Museum of Art.](https://commons.wikimedia.org/wiki/Special:FilePath/MET DP153194.jpg?width=200 "''Head of Krishna: cartoon for a mural of the Raslila'' by [[Sahibram]]. Jaipur, c. 1800. Metropolitan Museum of Art.")
![''Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar'', attributed to [[Stipple Master]]. [[Udaipur]], c. 1707–8. [[Metropolitan Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/MET DT4284.jpg?width=200 "''Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar'', attributed to [[Stipple Master]]. [[Udaipur]], c. 1707–8. [[Metropolitan Museum of Art]].")
![Jiva]]. Mewar, 1749. San Diego Museum of Art.](https://commons.wikimedia.org/wiki/Special:FilePath/Maharana Jagat Singh II hunting tiger (6124507445).jpg?width=200 "Jiva]]. Mewar, 1749. San Diego Museum of Art.")
![p=219}} Kota, 1844. [[National Gallery of Victoria]].](https://commons.wikimedia.org/wiki/Special:FilePath/Maharao Ram Singh II of Kotah and companions playing Holi on elephants in a street.jpg?width=200 "p=219}} Kota, 1844. [[National Gallery of Victoria]].")
![Abu'l-Hasan]], Folio from the [[St. Petersburg Album]]. Agra, c. 1610–18. [[Institute of Oriental Manuscripts of the Russian Academy of Sciences]].](https://commons.wikimedia.org/wiki/Special:FilePath/Nauroz durbar of Jahangir (left half), From the St. Petersburg Album (Russian Academy of Sciences Ms. E-14 f.10).jpg?width=200 "Abu'l-Hasan]], Folio from the [[St. Petersburg Album]]. Agra, c. 1610–18. [[Institute of Oriental Manuscripts of the Russian Academy of Sciences]].")
![Nawalgarh]], an example of [[Shekhawati painting]]](https://commons.wikimedia.org/wiki/Special:FilePath/Painted Havelis 03 HDR (2267642700).jpg?width=200 "Nawalgarh]], an example of [[Shekhawati painting]]")
![Mohanlal]] with His Camera. Udaipur, c. 1875. The City Palace Museum, Udaipur.](https://commons.wikimedia.org/wiki/Special:FilePath/Portrait of Mohan Lal with His Camera.jpg?width=200 "Mohanlal]] with His Camera. Udaipur, c. 1875. The City Palace Museum, Udaipur.")
![Basohli]], c. 1707–1715. [[Art Gallery of New South Wales]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ragaputra Velavala of Bhairava.jpg?width=200 "Basohli]], c. 1707–1715. [[Art Gallery of New South Wales]].")
![''Raja Ajmat Dev''. Mankot, c. 1730. [[Victoria and Albert Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Raja Ajmat Dev.jpg?width=200 "''Raja Ajmat Dev''. Mankot, c. 1730. [[Victoria and Albert Museum]].")
![''Raja Balwant Singh of Jasrota examining a painting with Nainsukh'' by [[Nainsukh]]. [[Jasrota]], 1745–1750. Rietberg Museum.](https://commons.wikimedia.org/wiki/Special:FilePath/Raja Balwant Singh of Jasrota examining a painting with Nainsukh.jpg?width=200 "''Raja Balwant Singh of Jasrota examining a painting with Nainsukh'' by [[Nainsukh]]. [[Jasrota]], 1745–1750. Rietberg Museum.")
![''Rama Bestows His Possessions on the Brahmins, His Friends, and Servants'', Folio from the "Shangri" Ramayana. Attributed to First Bahu Master, c. 1680–1695. [[Los Angeles County Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Rama Bestows His Possessions on the Brahmins, His Friends, and Servants, Folio from the "Shangri" Ramayana.jpg?width=200 "''Rama Bestows His Possessions on the Brahmins, His Friends, and Servants'', Folio from the \"Shangri\" Ramayana. Attributed to First Bahu Master, c. 1680–1695. [[Los Angeles County Museum of Art]].")
![''[[Ravana]], overwhelmed by grief on hearing of his son's death, sends out more forces against [[Rama]]'' by [[Sahibdin]], Folio from the Mewar [[Ramayana]]. Arranged in old horizontal ''pothī'' format, a full-page picture on one side of folio and accompanying text on the reverse, this painting follow Indian tradition of illustration of several connected incidents from a story in the same picture in continuous narration. Here we first see Ravana overwhelmed by grief on hearing of his last remaining son's death. Then furious with rage, he rushes with his upraised sword at [[Sita]], who calmly awaits her fate seated in her grove, but he is restrained by his minister Suparsva. In order to intimidate [[Rama]] for his own going forth on the morrow, he decides to send out his army yet again to the accompaniment of war-drums and trumpets being beaten and blown, while his own bow is made ready. Mewar, 1652. [[British Library]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ravana, overwhelmed by grief on hearing of his son's deat, sends out more forces against Rama. From Mewar Ramayana.jpg?width=200 "''[[Ravana]], overwhelmed by grief on hearing of his son's death, sends out more forces against [[Rama]]'' by [[Sahibdin]], Folio from the Mewar [[Ramayana]]. Arranged in old horizontal ''pothī'' format, a full-page picture on one side of folio and accompanying text on the reverse, this painting follow Indian tradition of illustration of several connected incidents from a story in the same picture in continuous narration. Here we first see Ravana overwhelmed by grief on hearing of his last remaining son's death. Then furious with rage, he rushes with his upraised sword at [[Sita]], who calmly awaits her fate seated in her grove, but he is restrained by his minister Suparsva. In order to intimidate [[Rama]] for his own going forth on the morrow, he decides to send out his army yet again to the accompaniment of war-drums and trumpets being beaten and blown, while his own bow is made ready. Mewar, 1652. [[British Library]].")
![Deogarh]], 1806. Metropolitan Museum of Art.](https://commons.wikimedia.org/wiki/Special:FilePath/Ravat Gokul Das II at Sing Sagar Lake Palace. Devgarh, Mewar, dated 1806, The Ashmolean Museum, Oxford..jpg?width=200 "Deogarh]], 1806. Metropolitan Museum of Art.")
![Bandralta]]-[[Mankot]] workshop, c. 1700. [[Government Museum and Art Gallery, Chandigarh]].](https://commons.wikimedia.org/wiki/Special:FilePath/Saptarishi. The Seven Sages.jpg?width=200 "Bandralta]]-[[Mankot]] workshop, c. 1700. [[Government Museum and Art Gallery, Chandigarh]].")
![''Vilaval Ragini'', folio from the [[Chunar Ragamala]], dated February 24, 1591. [[Bharat Kala Bhavan]].](https://commons.wikimedia.org/wiki/Special:FilePath/Shaykh Husayn. Vilaval Ragini Folio from the Chunar Ragamala, dated February 24, 1591, Metmuseum.jpg?width=200 "''Vilaval Ragini'', folio from the [[Chunar Ragamala]], dated February 24, 1591. [[Bharat Kala Bhavan]].")
![Garhwal]], c. 1780–1790. [[Museum of Fine Arts, Boston]].](https://commons.wikimedia.org/wiki/Special:FilePath/Shiva watches Parvati Sleep.jpg?width=200 "Garhwal]], c. 1780–1790. [[Museum of Fine Arts, Boston]].")
![''The Dying Inayat Khan'' by [[Balchand]]. [[Agra]], 1618. [[Bodleian Library]].](https://commons.wikimedia.org/wiki/Special:FilePath/The Death of Inayat Khan (Bod MS. Ouseley Add. 171b f. 4r).jpg?width=200 "''The Dying Inayat Khan'' by [[Balchand]]. [[Agra]], 1618. [[Bodleian Library]].")
![language = en}}</ref> [[Malwa]], Mid 17th century. [[National Museum, New Delhi]].](https://commons.wikimedia.org/wiki/Special:FilePath/The death of Ravana.jpg?width=200 "language = en}}</ref> [[Malwa]], Mid 17th century. [[National Museum, New Delhi]].")
![''Remembering that Fawn-Eyed Beauty'', Folio from a ''[[Caurapañcāśikā]]''. North India, second quarter of the 16th-century. [[Lalbhai Dalpatbhai Museum]], N.C. Mehta Collection.](https://commons.wikimedia.org/wiki/Special:FilePath/Meister des Chaurapañchâsikâ-Manuskripts 001.jpg?width=200 "''Remembering that Fawn-Eyed Beauty'', Folio from a ''[[Caurapañcāśikā]]''. North India, second quarter of the 16th-century. [[Lalbhai Dalpatbhai Museum]], N.C. Mehta Collection.")
![Ghiyas al-Din]] watches the process of cooking green vegetables'', Folio from a ''[[Nimatnama-i-Nasiruddin-Shahi]]'' (detail). [[Malwa Sultanate]], c. 1500. [[British Library]].](https://commons.wikimedia.org/wiki/Special:FilePath/Westindischer Maler um 1510 001.jpg?width=200 "Ghiyas al-Din]] watches the process of cooking green vegetables'', Folio from a ''[[Nimatnama-i-Nasiruddin-Shahi]]'' (detail). [[Malwa Sultanate]], c. 1500. [[British Library]].")
![''[[Akbar]] presenting a painting to his father [[Humayun]]'' by [[Abd al-Samad]], Folio from the [[Golshan Album]]. Probably [[Kabul]], 1550–1556. [[Golestan Palace]] Library.](https://commons.wikimedia.org/wiki/Special:FilePath/Muraqqa-e Golshan (Page 070).jpg?width=200 "''[[Akbar]] presenting a painting to his father [[Humayun]]'' by [[Abd al-Samad]], Folio from the [[Golshan Album]]. Probably [[Kabul]], 1550–1556. [[Golestan Palace]] Library.")
![Mahesh]]. Between 1562 and 1577. [[Brooklyn Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Brooklyn Museum - Amr Disguised as Mazmahil the Surgeon Practices Quackery on the Sorcerers of Antali.jpg?width=200 "Mahesh]]. Between 1562 and 1577. [[Brooklyn Museum]].")
![''Seated Man'' by [[Basawan]], c. 1580. Freer Gallery of Art.](https://commons.wikimedia.org/wiki/Special:FilePath/Basawan. Drunk European seated on ground. ca. 1580-1585. Freer and Sackler Gallery, Washington.jpg?width=200 "''Seated Man'' by [[Basawan]], c. 1580. Freer Gallery of Art.")
![''An Evening Performance for Maharaja Abhai Singh'' by [[Dalchand]]. [[Jodhpur]], c. 1725. [[Mehrangarh Museum Trust]].](https://commons.wikimedia.org/wiki/Special:FilePath/Maharaja Abhai Singh watching a dance performance.jpg?width=200 "''An Evening Performance for Maharaja Abhai Singh'' by [[Dalchand]]. [[Jodhpur]], c. 1725. [[Mehrangarh Museum Trust]].")
![Guler]], c. 1740. [[Government Museum and Art Gallery, Chandigarh]].](https://commons.wikimedia.org/wiki/Special:FilePath/The Emergence of Varaha, the Boar-Incarnation of Vishnu.jpg?width=200 "Guler]], c. 1740. [[Government Museum and Art Gallery, Chandigarh]].")
![Uniara]], c. 1760 or later. [[Los Angeles County Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/The Anxious or Expectant Heroine (Utka Nayika), Folio from a Rasikapriya (The Connoisseur's Delights) of Kesavadasa LACMA M.72.88.7.jpg?width=200 "Uniara]], c. 1760 or later. [[Los Angeles County Museum of Art]].")
![Kangra]], c. 1770. [[National Museum, New Delhi]].](https://commons.wikimedia.org/wiki/Special:FilePath/Setubandha - Rama and Lakshmana crossing the bridge to Lanka with the Monkey Army.jpg?width=200 "Kangra]], c. 1770. [[National Museum, New Delhi]].")
![Pali]], 1623. Sangram Singh collection.](https://commons.wikimedia.org/wiki/Special:FilePath/Virji 001.jpg?width=200 "Pali]], 1623. Sangram Singh collection.")
![Marwar]], c. 1660. [[National Gallery of Victoria]].](https://commons.wikimedia.org/wiki/Special:FilePath/Maharaja Jaswant Singh of Jodhpur listening to music.jpg?width=200 "Marwar]], c. 1660. [[National Gallery of Victoria]].")
![Basohli]], 1694–1695. [[San Diego Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Shiva, Ever Solicitous of His Other Half (6125060324).jpg?width=200 "Basohli]], 1694–1695. [[San Diego Museum of Art]].")
![Mandi]] - An Informal Portrait''. Mandi workshop, attributed to [[Master at the Court of Mandi]], c. 1700. Government Museum and Art Gallery, Chandigarh.](https://commons.wikimedia.org/wiki/Special:FilePath/Raja Sidh Sen of Mandi - An Informal Portrait.jpg?width=200 "Mandi]] - An Informal Portrait''. Mandi workshop, attributed to [[Master at the Court of Mandi]], c. 1700. Government Museum and Art Gallery, Chandigarh.")
![Chamba]], c. 1725–1750. [[Bhuri Singh Museum]].](https://commons.wikimedia.org/wiki/Special:FilePath/Matsya, the Fish-Incarnation of Vishnu.jpg?width=200 "Chamba]], c. 1725–1750. [[Bhuri Singh Museum]].")
![''Ragini Madhumadhavi'', by Jay Krishna. [[Malpura]], c. 1756. Rietberg Museum.](https://commons.wikimedia.org/wiki/Special:FilePath/Ragini Madhumadhavi - Girl flees from a storm.jpg?width=200 "''Ragini Madhumadhavi'', by Jay Krishna. [[Malpura]], c. 1756. Rietberg Museum.")
![Rasikapriya]] series. Mandi, c. 1820. San Diego Museum of Art.](https://commons.wikimedia.org/wiki/Special:FilePath/A pensive nayika with her sakhi (6124590293).jpg?width=200 "Rasikapriya]] series. Mandi, c. 1820. San Diego Museum of Art.")
![''Three Aspects of The Absolute'', miniature by [[Bulaki]] from the manuscript of [[Shri Nath Charit]], definitive text of the [[Nath]] yogis. [[Jodhpur]], 1823. [[Mehrangarh Museum Trust]].](https://commons.wikimedia.org/wiki/Special:FilePath/Three Aspects of The Absolute.jpg?width=200 "''Three Aspects of The Absolute'', miniature by [[Bulaki]] from the manuscript of [[Shri Nath Charit]], definitive text of the [[Nath]] yogis. [[Jodhpur]], 1823. [[Mehrangarh Museum Trust]].")
![The City Palace Museum, Udaipur]].](https://commons.wikimedia.org/wiki/Special:FilePath/Portrait of Jaswant Singh II of Jodhpur (1873–1896).jpg?width=200 "The City Palace Museum, Udaipur]].")
ART STYLE THAT EVOLVED IN THE COURTS OF RAJPUTANA IN INDIA
Rajput Painting; Rajasthani Painting; Rajput miniature painting; Rajastani painting; Mewar painting; Rajasthani miniature painting; Rajasthani painting; Rajput painter; Kishangarh painting
Rajput painting, also called Rajasthan painting, evolved and flourished in the royal courts of Rajputana in northern India, mainly during the 17th century. Artists trained in the tradition of the Mughal miniature were dispersed from the imperial Mughal court, and developed styles also drawing from local traditions of painting, especially those illustrating the Hindu religious epics, the Mahabharata and Ramayana.
Encaustic painting
![Fayum mummy portrait]]](https://commons.wikimedia.org/wiki/Special:FilePath/EncausticPortraitWoman.jpg?width=200 "Fayum mummy portrait]]")
![The Mummy of Demetrios, 95-100 C.E.,11.600a-b, [[Brooklyn Museum]]](https://commons.wikimedia.org/wiki/Special:FilePath/The Mummy of Demetrios, 95-100 C.E.,11.600a-b.jpg?width=200 "The Mummy of Demetrios, 95-100 C.E.,11.600a-b, [[Brooklyn Museum]]")
ARTISTIC TECHNIQUE USING ENCAUSTIC PAINT
Encaustic Painting; Wax painting; Encaustic wax; Hot wax painting; Encaustic Wax; Encaustic painter; Encaustice; Encaustike
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used.
Wikipedia
Action painting
Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist.
